“It’s the curse”- Matthew Goode Gets Brutally Honest About the Dark Side of Success in Hollywood

Published 06/27/2025, 2:27 PM EDT

Charm is easy to fake—but mastering it, twisting it, and turning it into something unexpected? That is where Matthew Goode thrives. From Match Point and The Crown to Downton Abbey and his latest turn in Netflix’s Dept. Q, Goode has long balanced elegance with edge. After a career stacked with critical acclaim and underrated gems—Burning Man, Watchmen, Brideshead Revisited—he has recently peeled back the curtain on Hollywood’s darker undercurrents, offering rare candour from someone who has played the game and won.

Matthew Goode has lifted the velvet curtain on Hollywood, revealing that even a polished, successful career comes with shadows few speak about.

Matthew Goode on fame’s fine print: The truth behind the spotlight

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On the Happy Sad Confused podcast with Josh Horowitz, Matthew Goode reflected on the bittersweet truth behind his role in Dept. Q with Scott Frank. He admitted that many English and American directors would overlook him due to typecasting—“It's the curse of success in one realm as they obviously type cast.” Goode praised collaborators who understand an actor’s true range, lamenting how many talented performers never get the chance to stretch their abilities. Success, he noted, often builds a box instead of breaking one.

Set against that very backdrop of artistic risk and reinvention comes Dept. Q, the British crime thriller created by Scott Frank and Chandni Lakhani. Based on Jussi Adler-Olsen’s best-selling novels, the series follows Carl Morck, a brilliant but bruised detective recovering from a tragic shooting. Pushed into a forgotten basement and tasked with solving cold cases, Morck’s story mirrors Goode’s own journey—proving that the best roles often emerge from the margins. But it was not just typecasting on Goode’s mind—he also opened up about the unexpected casting win, edging out several A-list contenders.

Netflix’s 'Dept. Q' Season 2 Fate - Renewal or the Axe? Here’s What the Stats Say

Recently, Matthew Goode spilled the tea on a casting coup—snagging a sought-after role right out from under the noses of Hollywood heavyweights who never saw it coming.

Matthew Goode reveals the role he took right out from under the stars

During the same podcast chat with Josh Horowitz, Matthew Goode expressed genuine surprise at landing a leading role in Netflix’s Dept. Q, especially considering the heavyweight names he was up against. He confessed that the shortlist included several extremely well-known actors, adding, “They are very famous people,” which made his casting all the more unexpected. Grateful for the opportunity, Goode credited director Ridley Scott for the bold decision and described the experience as both humbling and surreal—proof that talent sometimes edges out star power.

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Although Matthew Goode avoided dropping names, his comment hinted at an A-list-stacked shortlist he unexpectedly topped. Renowned for his elegant performances, Goode’s surprise at the casting reveals a self-effacing charm that makes him all the more compelling. In Dept. Q, he shares the screen with an exceptional ensemble, yet still manages to command the spotlight in a role that feels both fresh and overdue. This standout performance was possible only because of Scott Frank, who recognised Goode's untapped brilliance.

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What do you think about Matthew Goode’s latest remark on typecasting? Let us know in the comments below.

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Yusra Miraj Khan

622 articles

Yusra Miraj Khan is an Entertainment Journalist at Netflix Junkie with over 500 articles (and counting) that often land right where they belong: at the top of daily search rankings. Since joining the publication in early 2025, she has emerged as a key voice in decoding easter eggs, studying PR silences, and navigating the modern mythologies of her two specializations—Taylor Swift and the British Royal Family. Prior to her current role, Yusra gained client-facing and communication experience in the corporate sector as a Business Development Executive—skills she now channels into audience-focused reporting and media analysis.

Edited By: Hriddhi Maitra

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