It began as a fantastical swirl of swords, shadows, and supernatural choreography, but KPop Demon Hunters has marched far beyond its niche. The animated saga is now a global obsession, praised for its enchanting visuals and, above all, its celestial soundtrack. Songs such as ‘Golden’ and ‘Takedown’ are whispered in Oscar corridors, hinting at improbable triumphs for animated music. At the center of this melodic storm is Audrey Nuna, the vibrant voice of Mira, whose success leads directly to her latest proclamation.

Audrey Nuna has courted even more attention by declaring that genre, as we once knew it, is entirely deceased.

Audrey Nuna has been unwavering in her belief that musical boundaries are relics of the past. She notes, “I do think genre is dead,” a declaration reinforced by the eclectic soundscape of her celebrated track 'Golden' while speaking to Variety. By seamlessly weaving elements of pop, rhythm and blues, and alternative, Nuna illustrates how categories fail to capture the full spectrum of her artistic vision. For her, genre is less a map and more a fence, one she refuses to stay behind.

In her conversation with Variety, Nuna explained that her refusal to be confined stems from an upbringing steeped in diverse influences, ranging from Britney Spears and Wonder Girls to Whitney Houston and Radiohead. This education in contrast and contradiction has inspired her to create work that evades neat labels. With a catalogue shaped by Björk’s experimentation and Childish Gambino’s genre play, Nuna embodies a generation for whom classification is a limitation, not a celebration.

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This perspective arrives as KPop Demon Hunters dominates at the height of its success, now the most-watched Netflix film to date, making Oscar speculation less than surprising

The Oscar buzz surrounding KPop Demon Hunters feels less like rumor and more like inevitability, the kind of certainty fans only dream of for news about KPop Demon Hunters 2. With Sony Pictures Animation at the helm, Netflix fanning the flames, and critics showering praise, the film sits comfortably at the summit of both popularity and artistry. Songs like 'Golden,' composed by Ejae and voiced by Audrey Nuna, EJAE, and REI AMI are not just catchy, they are engineered for golden statues. The campaign does not feel like a gamble but more like an early coronation.

The history of the Oscars, however, is littered with the corpses of animated films that never made the stage. But KPop Demon Hunters is too loud, too beloved, and frankly too successful to be relegated to footnote status. The Academy may resist, but resistance here looks pitiful, like waving a hand at a tidal wave. If nominations are not granted, then the true fantasy lies not in demons but in fairness.

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Do you think KPop Demon Hunters should be nominated for an Oscar? Let us know your thoughts in the comments down below!